
MANILA, Philippines—“Papa Piolo Pascual has been a film star for something like a decade now, so it’s time to sum up his acting achievements to date. After his big bow in “Lagarista,” we can cite his performance in “Dekada 70” as one of his career’s high points.
Parenthetically, we should add that he’s also chalked up points as a proficient singer—but it’s his “Papa Piolo” kilig persona that currently best defines him in the public’s purview.
All this is fine and dandy, but it’s clear that, as one of local show biz’s most established young leading men, Piolo’s cumulative acting achievements have come up short of real significance.
Predictable
Why the relative lack of acting oomph and unction? Perhaps the fave young star has been too cool and predictable for his own good. Although he’s occasionally tried to be edgy, most of his big and small-screen portrayals have been less than surprising, and we get the nagging feeling that Piolo has frittered away too much time and opportunities.
To his credit, Piolo may have seen the handwriting on the wall, and has of late been trying to assert his creativity by making some daring career choices beyond his cool, iconic image.
Miscast
Most significantly, he’s turned producer of the indie movie “Manila,” playing the lead roles in its twin stories.
This is an unusually assertive move for the generally too-cool star, so we went out of our way to catch the film when it was screened as the opening feature of the 2009 Cinemalaya festival.
So how did Piolo do in his indie outing? In the movie’s first story, he played a drug addict, so he didn’t do much “acting,” since his character was zonked out most of the time. We noted, however, that he was miscast as an addict, since he was too mild, bland and put-together for the role.
Piolo’s real acting challenge in “Manila” came by way of its second story, inspired by Lino Brocka’s “Jaguar.” As the bodyguard, Piolo did better — but similarly fell short, because he was too cool and mild for his character.
Yes, the “jaguar” was a country bumpkin who minded his place and kept his emotions to himself, but as the story’s protagonist, he needed to describe an emotional arc that the actor failed to adequately plot and parse.
Unfortunate
All told, therefore, despite producer-star Piolo’s best efforts and intentions, his “Manila” outing turned out to be a relative dud. This is most unfortunate because, at this point in his career, Piolo needs a big acting success to affirm his talent and excitingly usher in the next decade of his stellar career.
To make up for lost time, the actor should continue with his indie involvement, but he should work with filmmakers who will work harder to yank him out of his comfort zone, which has become as stultifying as a box for him.
It could well be that Piolo’s signature coolness may turn out to be his most counterproductive traits at this crucial point in his career. So, he’s got to break loose from his fans’ expectations -and from himself.
By Nestor Torre of Philippine Daily Inquirer
First Posted 00:09:00 08/11/2009